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Fuga Libera | INSTRUMENTOS | ROMANTICA Y NACIONALISTA (1 CD)

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precio

16,95 €

Transitions
Obras para fortepiano


REF.: FUG598
EAN 13: 5400439005983
Si realiza el pedido hoy, este producto estará listo para ser enviado el lunes 08/06/2020


FECHA DE PUBLICACIÓN
20/02/2013

INTÉRPRETES
Olga Pashchenko, fortepiano


CONTENIDO

Jan Ladislav Dussek (1760-1812):

Sonata in F-sharp minor, Op. 61 (1806-1807)
Elégie Harmonique sur la mort de son Altesse Royale le Prince Louis Ferdinand de Prusse
1. Lento patetico - Tempo agitato
2. Tempo vivace e con fuoco quasi presto

Ludwig van Beethoven (1770-1827):

Seven Bagatelles, Op. 33 (1802)
3. Andante grazioso, quasi allegretto in E-flat major
4. Scherzo (Allegro) in C major
5. Allegretto in F major
6. Andante in A major
7. Allegro ma non troppo in C major
8. Allegretto quasi andante in D major
9. Presto in A-flat major

Sonata No. 32 in C minor, Op. 111 (1821-1822)
10. Maestoso - Allegro con brio ed appassionato
11. Arietta: Adagio molto, semplice e cantabile

Jakob Ludwig Felix Mendelssohn Bartholdy (1809 –1847):

12. Variations sérieuses in D minor, Op. 54 (1841)

1 CD - DDD - 77'05''


RESEÑA (La Quinta de Mahler)

This first album of the Russian pianist, harpsichordist and organist Olga Pashchenko – student of Alexei Lubimov and Richard Egarr; prizewinner of several international music competitions (‘Schloss Kremsegg’ for fortepiano in 2011; ‘Hans von Bulow' for piano in 2012…) depicts the rebellious and yet very tender metamorphosis between two ‘states’ of art – Classical and Romantic. Dussek, Beethoven, and Mendelssohn stand at the crossroads of the two styles; demonstrating how the transformation to Romanticism was subtle and hidden in the smallest details of the well-composed, transparent architecture of the music of the Classical period. The two original instruments (Conrad Graf 1826 & Donat Schoeffstoss 1812) chosen with care by Olga Pashchenko are in possession of a
great clarity of sound, and uncover immense timbral possibilities, allowing one to play with the rhetoric as much as with the colours.

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