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Radio France | JAZZ /OTRAS MUSICAS (1 CD)

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16,95 €

Marruecos
Gnawa and World Music Festival


REF.: C560283
EAN 13: 3415820000210
24 horas: Si realiza el pedido hoy, este producto estará listo para ser enviado el miércoles 11/12/2019

Desde finales del siglo XIX, la búsqueda para identificar el origen de la comunidad Gnawa y sus prácticas rituales se basaba en una premisa fonética que se encuentra en la investigación dedicada al culto a los santos del norte de África y al comercio de esclavos en las regiones islámicas. Según nuevas pruebas, los Gnawa han sido marroquíes por generaciones y no todos son descendientes de esclavos. Este álbum está dedicado a la tercera fase de las noches rituales Mlouk.

FECHA DE PUBLICACIÓN
05/06/2019

INTÉRPRETES
Asma Hamzaoui
Bnat Tombouctou
Maâlem Saïd Oughassal
Maâlem Aziz Baqbou


CONTENIDO
The Songs of Gnawa Music

Al Âda

The lila (ritual night) of the Gnawa begins with a long introduction called al Âda (lit. “the custom”). This first part begins with a procession through streets of the city before assembling in the entrance of the house where the lila is to be held. It is also called ad Dakhla (“the entrance”). Essentially rhythmic, al Âda mostly features the tbal (large drum) and the qraqeb (iron castanets); sometimes a few dances are also performed.

Oulad Bambara and Noukcha
The second part of the lila, called oulad Bambara (the sons of Bambara), is both playful and an occasion to invoke ancestors and former masters. The Noukcha (or Noughcha) which follows is an intermediary link between the second and the third phase and switches from a playful, profane atmosphere to a sacred atmosphere marked by fumigations and the symbolic use of colours   

The Mlouk
The third phase, the Mlouk (“the possessors”), is the longest, unfolding with the obligatory evoking of the seven colours. The ecstatic moment of the lila begins as the maâlem and the assembly enter the sanctified space (Ftouh rahba). After the colour white, two shades of blue follow: navy blue (Moussawiyyine or Bahriyyine) and sky blue (Smawiyyine). The first blue is placed under the protection of Sidi Moussa Al Bahri. The second blue is consecrated to a mix of African ancestors and Muslim saints. For the blood-coloured reds (Houmer), the central personage is Sidi Hammou. The greens (Khodder) are the colour reserved for Muslim saints. The black colours (Lkouhel or Rijal Al Ghaba) are the most tenacious Mlouk and the final colour of the repertoire is dedicated to women, “Labnat”, with a predominance of yellow.

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