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Tactus
| BARROCA | RECITAL VOCAL (1 CD)
La Prima Diva
Arias para Faustina Bordoni
REF.: TC 670003
EAN 13: 8007194105803
24 horas: Si realiza el pedido hoy, este producto estará listo para ser enviado el jueves 02/04/2020
Faustina Bordoni, from Venice, was one of the most acclaimed celebrities in the forerunner of a star system that appeared in the world of Italian opera and thrilled the whole of Europe during the eighteenth century. She was one of the great voices of bel canto, had a marvellous dramatic talent, and passed through the first half of the century as a protagonist, leaving a memorable echo of her passage. Her career was protracted from 1716 to 1751, so she intercepted most of the composers of two or three generations, in the major opera centres of Europe: Venice, Naples, Vienna, London and Dresden. The forceful, fascinating personality of this singer (who was born in Venice on 30 March 1697 and died there, in her eighties, on 4 November 1781) filled the musical chronicles with astonishment for decades, and inspired the striking of medals and the writing of laudatory sonnets, obscene verse and satirical pamphlets. As late as the nineteenth century she was the inspiration of a novel by Elise Polko (Faustina Hasse. Musikalischer Roman, Leipzig, 1860), and to this day she still communicates with us, rather than in historical reconstructions, through at least two media. On the one hand, we can see her in etchings, caricatures, medals and no less than three portraits by Rosalba Carriera, at the museum of Ca’ Rezzonico and at the Gemäldegalerie Alte Meister of Dresden. The earliest of the Dresden portraits, made in 1724/25, shows Faustina with her dress mischievously uncovering one of her breasts and a musical score in her hand, about to lavish the enchantment of her voice. The other, undoubtedly more moving, memory of the immortality of her art is the music composed for her by the opera composers with whom she worked. Reviving these pieces, which are no longer performed in our time, means re-examining the vocal profile of a protagonist – therefore also, to a certain extent a co-author – of eighteenth-century musical drama.
FECHA DE PUBLICACIÓN
01/05/2016
INTÉRPRETES
Agata Bienkowska, mezzosoprano
Barockwerk Hamburg
Ira Hochman, clave y dirección
CONTENIDO
Giovanni Bononcini (1670-1747)
Griselda: Sinfonia
Antonio Caldara (1670-1736)
Egra e languente (from Il Venceslao)
Georg Friedrich Haendel (1685-1759)
Alla sua gabbia d'oro (from Griselda)
Johann Adolf Hasse (1699-1783)
Si, quei ferri (from Viriate)
Non sdegnarti, a te mi fido (from Ciro riconosciuto)
Domenico Sarro (1679-1744)
Didone abbandonata: Sinfonia
Astianatte: Sinfonia
Begl'occhi del mio ben, dormite in pace (from La Partenope)
Pietro Torri (1650-1737)
Se amori ascoltero (from Griselda)
1 CD - DDD - 52:00
Glossa
Blandine Staskiewicz
Tempesta
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Glossa
Georg Friedrich Haendel
Cantatas para el Cardenal Ottoboni
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Orfeo
Judas Macabeo
Kubelik dirige Haendel
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Tactus
Bononcini y A.Scarlatti
Andate, o miei sospiri - Cantate da Camera
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Tactus
Angelo Berardi
Sinfonie a violino solo, opus VII
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Tactus
Gabrieli-Monteverdi
Madrigali accomodati per concerti
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