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Raumklang | BARROCA | INSTRUMENTOS | MEDIEVAL Y RENACENTISTA (1 CD)

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17,95 €

Dowland's Delight
Música para arpa del Renacimiento y el Barroco


REF.: RK 3006
EAN 13: 4018767030068
24 horas: Si realiza el pedido hoy, este producto estará listo para ser enviado el viernes 14/08/2020


FECHA DE PUBLICACIÓN
14/09/2010

INTÉRPRETES

Tom Daun, arpa



CONTENIDO

Dowland's Delight
Música para arpa del Renacimiento y el Barroco

John Dowland (1563-1626):
1 The King of Denmark His Galliard 1’19
2 Lacrimae 3’12
3 My Lord Willoughby’s Welcome Home 1’55
4 Lady Hunsdon’s Puffe 2’02
5 Mrs. White’s Nothing 1’18

Silvius Leopold Weiss (1686-1750):
6 Fantasie & Fuge d-moll 2’56

Esaias Reusner (1636-1679):
7 Paduana 3’52
8 Sonatina 3’14

John Dowland (1563-1626):
9 Sir John Smith his Almain 2’50
10 Mrs. Winter’s Jump 1’20
11 Tarleton’s Jig 1’18
12 Tarleton’s Riserrectione 0’52
13 Semper Dowland Semper Dolens 4’31

Hans Judenkünig (1445-1526):
14 Kalata ala spagnola 1’41
15 Rossina – Ain niderlendisch runden dantz 1’34

Stefan Craus (um 1540):
16 Der Stifl Tantz 2’04
17 Die Milnerin 1’22
18 Schniert schuech. Affen Tantz 1’14

Melchior Neusidler (1531-1591):
19 Der Fuggerin Tanz 2’15

Hans Neusidler (1508-1563):
20 Welscher tantz Wascha mesa 3’07

Anonym (um 1540):
21 Der gestreifft Danntz 2’10

Johann Sebastian Bach (1685-1750):
22 Allemande 3’47
23 Sarabande 2’19
24 Gavotte en Rondeau 1’04

John Dowland (1563-1626):
25 What if a day 1’15

1 CD - DDD - 54'36''


RESEÑA (La Quinta de Mahler)

Delicate, meditative and rich in tone colour – the enchanting sound of the harp was very popular during the 16th and 17th centuries. A lot of illustrations and texts prove that the instrument was widely played at that time. However, hardly anything is known about the repertoire – this is the reason why the harp has remained a kind of „Cinderella“ in the Early Music Scene until now.
For this RAUMKLANG production Tom Daun arranged lute music of the Renaissance and Baroque period for his instrument. Many old pictures show lute and harp playing together in a duo. So we may assume that they partially shared the same repertoire.

John Dowland for example was employed in the King’s Chapel of Denmark together with an Irish harpist called Charles O’Reilly. Dowlands music is the main focus of this CD. But also dance tunes of the 16th century, elegant courtly compositions by Esaias Reusner – a Silesian lutenist – and expressive sounds of the later Baroque period (J.S. Bach and S.L. Weiss) show that there is a lot to discover regarding harp and Early Music.

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